A small museum commission asked us to design a wayfinding system that could breathe. The constraints were unusual, the budget was modest and the result is still the project we point to most often when explaining what we do.
Our first proprietary typeface was never meant to leave the studio. It began as a single lowercase a sketched in the corner of a layout and grew into a small family we now use across most of our work. Process photos and a few honest reflections.
Working with illustrators is one of the joys of our job. It is also where projects most often go sideways. A practical guide for art directors, with notes on briefs, fees, revisions and the email we send before the first sketch.
Half the project is decided in the first two days. After a few too many awkward kickoff meetings we built a small playbook that mixes interviews, archive walks and one slightly silly exercise. Here is the agenda and what each part is trying to surface.
We spent six months working alongside the festival team to develop a flexible visual language that can scale from a passport-sized programme to a forty-metre banner. A short case study, the rejected directions and what we learned about working with installation typography.